![]() It is the most technically demanding of the Consolations. It is initially marked Allegretto sempre cantabile and is the longest of the Consolations with a total of 100 measures. The sixth and final Consolation is in E major. Liszt recommended sparing usage of the sostenuto pedal in the interpretation of this Consolation and opined on the positive effect it would have on the more tranquil passages. I have today noted down only the introductory bars of both pieces, with this proviso, that, if you desire it, I shall gladly complete the whole transcription, with exact adaptation of your tone-sustaining pedal. In relation to the use of your welcome tone-sustaining pedal I inclose two examples: Danse des Sylphes, by Berlioz, and No. Liszt began transcribing this Consolation for the new sostenuto pedal and in a letter to Steinway he wrote: In 1883, years after composing the Consolation, Liszt received a Grand piano from the Steinway Company with a design that included a sostenuto pedal. This third Consolation is however one of several of Liszt's works that take a style reminiscent of Chopin some examples include Liszt's Polonaises, Berceuse, Mazurka brillante, and his Ballades. The similarity between the two works has been interpreted as a tribute to Chopin who died in 1849, a year before the Consolations were published. Its style is similar to Chopin's Nocturnes in particular, it seems to have been inspired by Chopin's Nocturne Op. It is the most popular of the Consolations and also a favorite encore piece. The third Consolation is in D ♭ major and initially marked as Lento placido. Problems playing this file? See media help. It is often played directly after the first, without a break. 2 is also in E major and is initially marked Un poco più mosso. The shortest of the set, consisting of just 25 measures, it has an identical opening to another of Liszt's works, the Album-Leaf (Première Consolation), S.171b. The first of the Consolations is in E major and initially marked Andante con moto. In comparison to the first version of the Consolations, the original third Consolation (S.171a/3) was replaced with a new Consolation (Lento placido in D ♭ major) and the remaining Consolations were simplified. This version of the Consolations is better known than the first version and was published in 1850 in Leipzig by Breitkopf & Härtel. Ĭomposed between 18, they are Liszt's second version of the Consolations. The Consolations, S.172, consist of six solo compositions for the piano. Liszt dedicated the Madrigal to a friend of his, a Weimar Intendant named M. In an early manuscript, the fifth Consolation is entitled “Madrigal”. The fifth Consolation is the earliest of the compositions and dates from 1844. ![]() The third Consolation is an arrangement of a Hungarian folksong that would be later reused by Liszt in his Hungarian Rhapsody No.1, S.244/1. The manuscripts are located at the Goethe and Schiller Archives in Weimar.
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